• All About a Boy

    On March 3, 1978, in the only hospital in Baton Rouge, Louisiana, I was born into this world kicking and screaming, and my parents often remind me that I haven't changed much since. I choose to take that as a compliment. My kicking and screaming isn't a vulgar retaliation against the injustices of this world that have caused me great suffering and misfortune, for I've lived a truly blessed life. Wonderful parents, wonderful siblings, wonderful friends. I even had a wonderful dog once, but he ran away. And I've had my fair share of wonderful experiences. My kicking and screaming is a celebration of life, a manifestation of the joy I feel for being alive. It's a manic urge to express myself through a number of mediums in loud, bright colors that say "Thank you God for blessing me with so much!" Not to say that I don't paint gloomier themes in darker colors sometimes, as manic urges are just one part of an alternating cycle of highs and lows. I'm sure a graph of my life would alternate erratically back and forth across that central axis that represents "normality", but I can say truthfully that I'm happy the curves of my life have never become lines, especially ones that rest flat on that central axis. I plan to go on kicking and screaming when I can, and when I can't, in those periods of self-reflection and soul-searching that I sometimes desperately crave, I hope to learn how to kick harder and scream louder. Not to lash out, but to be heard. Not to hurt, but to help. To change. And to create.

    That's my deepest desire, my one true driving energy. To create. And a tortuous, sometimes agonizing path it has been to discovering how best to create. It's a path I'll most likely spend my entire life stumbling down, discovering new outlets for my creative urges as I go. I see a lot of Vincent van Gogh in me. Not that I'll ever have his talent (although he'd be the first to argue that talent can be a very subjective thing), or necessarily find that one medium of expression to so faithfully, and painfully, pursue, but I feel that same feverish drive to create at times, and I've seen how it can lead me to both great joy and misery, often simultaneously. And to think I was once an aspiring engineer. Oh, the roads we travel in life. Never knowing the way because we never know the final destination.

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About

Texas-raised and Beijing-based filmmaker Jay Hubert began his formal film studies at the University of Hawaii’s Academy for Creative Media, which he followed up with one year of study in the cinematography department at Beijing Film Academy in 2006.  He then worked as an assistant to top-tier Chinese cinematographer Wang Yu on numerous commercials and feature films for several years. More recently he has directed and/or shot a number of commercials and promos for clients such as Apple, Volkswagen, Peugeot, Intel, Lenovo, China Unicom, Xiaomi, Evona, and Vanke, while also working on several Chinese feature films in various roles.  In 2013 he served as Director of Photography for Volkswagen Group China’s “People’s Car Project – Building the Car Series”, a 10-episode web series awarded a Gold Lion at Cannes Lions.  Hubert has also written and directed over 20 short films, several of which have screened and won awards at international film festivals.  He is fluent in Mandarin and Japanese, and conversant in Cantonese and Korean.